Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless... read more

Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton (hide)

"You can't kill the boogeyman," explains John Carpenter in Halloween, and to prove it he brings Michael Myers back in this handsome but grisly sequel. Jamie Lee Curtis... read more

"You can't kill the boogeyman," explains John Carpenter in Halloween, and to prove it he brings Michael Myers back in this handsome but grisly sequel. Jamie Lee Curtis returns as Laurie Strode but spends most of her time cowering in a hospital gown, and Donald Pleasence runs around like a maniac as the panicky doctor desperate to hunt down Myers before he kills again. Carpenter writes and produces with partner Debra Hill, and together they replace the mystery and uncertainty of the original with an exponentially bigger body count and some strange tales about the Druids and pagan ceremonies, and the now-familiar family ties between Michael and Laurie. First-time director Rick Rosenthal (Bad Boys) paces the film at a brisk jog and directs it with a clean, crisp style, taking the murders out of the dark to display them in all their nasty detail. --Sean Axmaker (hide)

The one Halloween sequel in which He doesn't come home, Halloween III: Season of the Witch was producer John Carpenter's attempt to get the series away from the... read more

The one Halloween sequel in which He doesn't come home, Halloween III: Season of the Witch was producer John Carpenter's attempt to get the series away from the original's psycho-on-the-loose story line and turn it into a vehicle for more far-fetched Halloween-themed horror tales. Incredibly, the fans voted for more of the same and Carpenter walked away for others to rehash the Michael Myers plot line in a succession of look-alike movies that are still turning up every few years.

After the mysterious death of a toyshop owner, a doctor (Tom Atkins) and the man's daughter (Stacy Nelkin) investigate the Irish-dominated Northern California community of Santa Mira, a company town owned by the Silver Shamrock Novelty corporation. Atkins and Nelkin are typical low-rent horror movie protagonists, dim bulbs who discover an Invasion of the Body Snatchers-style conspiracy involving sharp-suited corporate robots. But guest star Dan O'Herlihy steals the film as a Celtic joke tycoon who hates the way American kids are despoiling the religious spirit of Samhain and decides to teach them a nasty lesson. His scheme, which involves a stolen Stonehenge megalith and a techno-magic spell that turns the heads of TV watchers into writhing masses of snakes and insects, is value for money, and O'Herlihy mixes enough serious malice into the charm to come across as a great screen bad guy. --Kim Newman (hide)

Halloween is one of the great modern horror films, but as a franchise its track record has been spotty at best, painfully bad at worst. Halloween H2O: Twenty... read more

Halloween is one of the great modern horror films, but as a franchise its track record has been spotty at best, painfully bad at worst. Halloween H2O: Twenty Years Later, directed by horror vet Steve Miner (Friday the 13th parts 2 and 3, House), won't displace John Carpenter's original but it might help you forget the films in between. Miner certainly has: the film begins as if sequels 3 through 6 never happened. Laurie Strode (Jamie Lee Curtis, reprising her role for the first time in almost two decades) faked her death and is now a single mom and headmistress of an exclusive California private school. She's also a secret alcoholic who lives in fear of her homicidal brother-bogeyman Michael Myers. Guess who decides to show up for a family reunion? The film begins with classic horror-movie exposition (the deserted college campus, Michael's escape, Laurie's waking nightmares) accomplished with some humor and style, but it's all setup for the second half, a driving roller coaster of stalk-and-slash thrills. There's little of the self-conscious genre referencing of Scream and at times the film is a little far-fetched--it is a slasher movie about a knife-wielding homicidal maniac who won't stay dead, after all--but Curtis transforms Laurie from a shrieking victim into an empowered, determined horror-movie heroine who's learned a thing or two from the previous films. Adam Arkin, Josh Hartnett, and TV cutie Michelle Williams (Dawson's Creek) costar, and the script received uncredited polish from Scream writer Kevin Williamson; Curtis's mom, Janet Leigh, pops up in a cameo. --Sean Axmaker (hide)

Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless... read more

Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton (hide)

Number 8 in the Halloween line maintains connections to John Carpenter's original. Resurrection picks up the thread of Halloween: H2O, with poor Laurie Strode (Jamie Lee Curtis) now... read more

Number 8 in the Halloween line maintains connections to John Carpenter's original. Resurrection picks up the thread of Halloween: H2O, with poor Laurie Strode (Jamie Lee Curtis) now in a psychiatric hospital and determined to shut down homicidal Michael Myers once and for all. After this prologue, the story shifts to the old Myers house, where a TV reality show has enticed six teenagers to spend a single night in the spooky home. Needless to say, things are spoiled when Michael barges in: "I so did not sign up for this," sighs the young heroine, when the bloodletting begins. The mayhem is being broadcast live on the Internet, which makes the film a bit like Rear Window with Instant Messaging. The interesting premise is routinely handled, but that's enough to make this one of the better sequels in the series. Maybe they finally finished off Michael in this one, wink wink. --Robert Horton (hide)

Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless... read more

Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton (hide)

"You can't kill the bogeyman," the children insist to a terrorized Laurie Strode (Jamie Lee Curtis) in the original Halloween. How right they are. Laurie is gone, but... read more

"You can't kill the bogeyman," the children insist to a terrorized Laurie Strode (Jamie Lee Curtis) in the original Halloween. How right they are. Laurie is gone, but guess who's back in Halloween 4: The Return of Michael Myers? Acting as if the third entry never existed, this installment picks up 10 years after the original, with mad maniac Myers in a coma and moved to a new facility. But wouldn't you know it that as soon as a loose-lipped orderly lets slip that Myers has a surviving niece he springs back into action, leaving a bloody trail of corpses on the road to Haddonfield. Donald Pleasance returns as Dr. Loomis, scarred and crippled from his last encounter with Myers and seething with a fanatical zeal to stop the freak from repeating his previous rampage. Pleasance is the best thing about the film as an aging hero seemingly on the verge of madness who drags a bum leg in his manic rush to save little orphan Jamie (Danielle Harris), the 10-year-old waif terrorized by her homicidal uncle. Director Dwight Little has managed a generic if professional slasher picture, rife with improbabilities and dominated by a killer whose superhuman powers reach near-mystical dimensions, but he delivers the goods: shocks, stabs, and cold, cruel killings. --Sean Axmaker (hide)

Starting around Halloween 4, that masked nut Michael Myers stopped chasing his sister (played by Jamie Lee Curtis in the first and second films, as well as Halloween... read more

Starting around Halloween 4, that masked nut Michael Myers stopped chasing his sister (played by Jamie Lee Curtis in the first and second films, as well as Halloween H20) and went after his niece. Now he's chasing her around again in part 5, but it's a lot of other people who die in the process. Donald Pleasence continues his mad-doctor bit from the earlier movies, Danielle Harris is the unfortunate relation, and Donald L. Shanks plays the monster. The film is an improvement on parts 2 and 4 (part 3 having nothing to do with Michael Myers), but it still amounts to routine slaughter with none of John Carpenter's stylistic brilliance from the original movie. --Tom Keogh (hide)

The series premise continues to stretch so thin it could dissipate. This time, Michael Myers chases his unfortunate niece around, then goes after a family who happen to... read more

The series premise continues to stretch so thin it could dissipate. This time, Michael Myers chases his unfortunate niece around, then goes after a family who happen to be living in his former home. This is slasher-ism at its most cynical, and a thoroughly unpleasant, unimaginative, and unredeeming movie. Donald Pleasence, the one holdover from the original film, looks like he'd rather be anywhere than in this thing. --Tom Keogh (hide)

Halloween is one of the great modern horror films, but as a franchise its track record has been spotty at best, painfully bad at worst. Halloween H2O: Twenty... read more

Halloween is one of the great modern horror films, but as a franchise its track record has been spotty at best, painfully bad at worst. Halloween H2O: Twenty Years Later, directed by horror vet Steve Miner (Friday the 13th parts 2 and 3, House), won't displace John Carpenter's original but it might help you forget the films in between. Miner certainly has: the film begins as if sequels 3 through 6 never happened. Laurie Strode (Jamie Lee Curtis, reprising her role for the first time in almost two decades) faked her death and is now a single mom and headmistress of an exclusive California private school. She's also a secret alcoholic who lives in fear of her homicidal brother-bogeyman Michael Myers. Guess who decides to show up for a family reunion? The film begins with classic horror-movie exposition (the deserted college campus, Michael's escape, Laurie's waking nightmares) accomplished with some humor and style, but it's all setup for the second half, a driving roller coaster of stalk-and-slash thrills. There's little of the self-conscious genre referencing of Scream and at times the film is a little far-fetched--it is a slasher movie about a knife-wielding homicidal maniac who won't stay dead, after all--but Curtis transforms Laurie from a shrieking victim into an empowered, determined horror-movie heroine who's learned a thing or two from the previous films. Adam Arkin, Josh Hartnett, and TV cutie Michelle Williams (Dawson's Creek) costar, and the script received uncredited polish from Scream writer Kevin Williamson; Curtis's mom, Janet Leigh, pops up in a cameo. --Sean Axmaker (hide)