D.W. Moffett uses his youthful voice to outstanding effect in this excellent abridgment of Grisham's bestselling thriller about a Harvard Law grad aggressively recruited by a curiously obscure... read more

D.W. Moffett uses his youthful voice to outstanding effect in this excellent abridgment of Grisham's bestselling thriller about a Harvard Law grad aggressively recruited by a curiously obscure firm. "We're small and very selective... we screened over two thousand third-year law students at the best schools. Only one letter was sent." They've decided he's their man and to get him they offer top dollar, dangle a BMW, and woo his wife with offers impossible to refuse. But as the wide-eyed youngsters soon discover, there's a catch. Moffett gives an excellent performance, bringing the story to life with vibrant and believable characterizations and a smooth, knowing narrative. (Running time: 3 hours, 2 cassettes) --George Laney (hide)

With a chillingly calm, even delivery, Michael Beck, a regular Grisham reader (The Rainmaker, The Runaway Jury), turns the narrative of this disturbing tale of racism, ignorance, and... read more

With a chillingly calm, even delivery, Michael Beck, a regular Grisham reader (The Rainmaker, The Runaway Jury), turns the narrative of this disturbing tale of racism, ignorance, and brutality into an almost visceral experience. "Cobb strung a length of quarter inch ski rope over a limb ... he grabbed her and put the noose around her head." The story is frighteningly believable and expertly crafted around a horrible crime and the tragic consequences that follow. At times, Beck's character voices can be distracting, but his efforts are generally applied to good effect, adding another level of tension to this already suspenseful look at a small Mississippi town's struggle for justice. (Running time: 17 hours, 12 cassettes) --George Laney (hide)

Anthony Heald gives an uncommonly compelling performance narrating this fast-paced legal thriller. The action begins with the fierce assassinations of two Supreme Court justices. Too unlikely to be... read more

Anthony Heald gives an uncommonly compelling performance narrating this fast-paced legal thriller. The action begins with the fierce assassinations of two Supreme Court justices. Too unlikely to be coincidental, the murders have no identifiable connection until a young law student uncovers a hidden link, exposing herself and those around her to deadly consequences. Heald uses the flexibility of his voice to conjure up a large cast of diverse characters. He crafts his delivery expertly, heightening the already substantial suspense and carrying the story to its dramatic conclusion. (Running time: 6 hours, 4 cassettes) --George Laney (hide)

"Heart -pounding!" -- The Orlando  Sentinel."Grisham is  an absolute master!" --The  Washington Post."Engrossing!" --  San Francisco Chronicle. "Absorbing... Wildly original... His best book yet."  --Cosmopolitan.From the Hardcover edition.

"Heart -pounding!" -- The Orlando  Sentinel.

"Grisham is  an absolute master!" --The  Washington Post.

"Engrossing!" --  San Francisco Chronicle.

"Absorbing... Wildly original... His best book yet."  --Cosmopolitan.


From the Hardcover edition. (hide)

The supple voice and deft narrative skills of Frank Muller are an excellent match for this tremendously popular courtroom thriller. With subtle vocal changes, accents, and thoughtful interpretation,... read more

The supple voice and deft narrative skills of Frank Muller are an excellent match for this tremendously popular courtroom thriller. With subtle vocal changes, accents, and thoughtful interpretation, Muller helps elevate the drama and suspense of this fascinating tale, which pits a small-time rookie lawyer against the power and influence of a corrupt insurance company. Muller's talent gives life to the entire cast: from apathetic law students to slippery corporate lawyers and heartbroken senior citizens. "It's simple... they're a bunch of crooks," exclaims the young lawyer's first clients, an elderly couple bitter over being swindled. "They think we're simple, ignorant trash with no money to fight 'em." Battling his instinct to agree, he sets out to defend their rightful claims and finds himself enmeshed in a suspenseful case of ruthless intimidation and deadly criminal behavior. (Running time: 17 hours, 12 cassettes) --George Laney (hide)

Based on the bestseller by John Grisham, Runaway Jury is a slick thriller that's exciting enough to overcome the gaps in its plot. The ultimate target has been... read more

Based on the bestseller by John Grisham, Runaway Jury is a slick thriller that's exciting enough to overcome the gaps in its plot. The ultimate target has been changed: Grisham's legal assault on the tobacco industry was switched to the hot-button issue of gun control (no doubt to avoid comparison to The Insider) in a riveting exposé of jury-tampering. Gene Hackman plays the ultra-cynical, utterly unscrupulous pawn of the gun-makers, using an expert staff and advanced electronics to hand-pick a New Orleans jury that will return a favorable verdict; Dustin Hoffman (making his first screen appearance with real-life former roommate Hackman) defends the grieving widow of a gun-shooting victim with idealistic zeal, while maverick juror John Cusack and accomplice Rachel Weisz play both ends against the middle in a personal quest to hold gun-makers accountable. It's riveting stuff, even when it's obvious that Grisham and director Gary Fleder have glossed over any details that would unravel the plot's intricate design. --Jeff Shannon (hide)

John Grisham turns a satirical eye on the overblown ritual of the festive holiday season, and the result is Skipping Christmas, a modest but funny novel about the... read more

John Grisham turns a satirical eye on the overblown ritual of the festive holiday season, and the result is Skipping Christmas, a modest but funny novel about the tyranny of December 25. Grisham's story revolves around a typical middle-aged American couple, Luther and Nora Krank. On the first Sunday after Thanksgiving they wave their daughter Blair off to Peru to work for the Peace Corps, and they suddenly realize that "for the first time in her young and sheltered life Blair would spend Christmas away from home."

Luther Krank sees his daughter's Christmas absence as an opportunity. He estimates that "a year earlier, the Luther Krank family had spent $6,100 on Christmas," and have "precious little to show for it." So he makes an executive decision, telling his wife, friends, and neighbors that "we won't do Christmas." Instead, Luther books a 10-day Caribbean cruise. But things start to turn nasty when horrified neighbors get wind of the Krank's subversive scheme and besiege the couple with questions about their decision.

Grisham builds up a funny but increasingly terrifying picture of how this tight-knit community turns on the Kranks, who find themselves under increasing pressure to conform. As the tension mounts, readers may wonder whether they will manage to board their plane on Christmas day. Skipping Christmas is Grisham-lite, with none of the serious action or drama of his legal thrillers, but a funny poke at the craziness of Christmas. --Jerry Brotton, Amazon.co.uk (hide)

Read about the author.

Read about the author. (hide)

Before he was sent to federal prison for treason (among other things), Joel Backman was an extremely powerful man. Known as "the broker," Backman was a high roller--a... read more

Before he was sent to federal prison for treason (among other things), Joel Backman was an extremely powerful man. Known as "the broker," Backman was a high roller--a lawyer making $10 million a year who could "open any door in Washington." That is, until he tried to broker a deal selling access to the world's most powerful satellite surveillance system to the highest bidder. When caught, Backman accepted prison as the one option that would keep him safe and alive, since the interested parties (the Israelis, the Saudis, the Russians, and the Chinese) were all itching to get their hands on his secrets at any cost. Little does he know that his own government has designs on accessing that information--or at least letting it die with him. Now, six years after his incarceration, the director of the CIA convinces a lame duck president to pardon Backman, and the broker becomes a free man--and an open target.

The Broker marries the best of John Grisham's many talents--his ability to immerse himself in the culture of small town life (in this case, Bologna, Italy), and his uncanny mastery of the chase. The first half of the book focuses on Backman's transformation from infamous power broker to helpless victim in his own game. Upon his release from prison, Backman is taken into "protective custody" and whisked off to Italy where he is assigned a new identity, and a tutor to help him blend in. Sure he is on the run, but some readers may feel that Backman's time spent in Bologna is a bit too leisurely--readers join him on an almost cinematic tour through the Italian town, complete with language and history lessons. Impatient readers will be happy to know that the final half of the novel is classic Grisham--a fast-paced, thrilling cat and mouse chase pitting Backman against the numerous agencies that want him dead--as the broker makes a move to take back his life. --Daphne Durham

Exclusive Video Interview with John Grisham

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Grisham: The Books

A Time to Kill, 1989 The Firm, 1991 The Pelican Brief, 1992 The Client, 1993 The Chamber, 1994 The Rainmaker, 1995

The Runaway Jury, 1996 The Partner, 1997 The Street Lawyer, 1998 The Testament, 1999 The Brethren, 2000 A Painted House, 2001

Skipping Christmas, 2001 The Summons, 2002 The King of Torts, 2003 Bleachers, 2003 The Last Juror, 2004 The Broker, 2005

Essential Grisham
Amazon Editor Favorites

A Time to Kill	The Firm	A Painted House
The Client	The Rainmaker	The Pelican Brief

Bestselling Grisham
Amazon Customer Favorites

The Last Juror	Skipping Christmas	Bleachers
The Testament	The Partner	The King of Torts

If You Like Grisham, You'll Love...

John Lescroart Richard North Patterson David Baldacci

Lisa Scottoline Robert Crais Michael Crichton

Harlan Coben Dennis Lehane Ken Follett

Best Grisham Books on DVD

A Time to Kill	The Pelican Brief	The Client
The Firm	The Rainmaker	The Chamber

(hide)

Even by the high standards of the Hallmark Hall of Fame, A Painted House is well above average. John Grisham's well-received "lawyer-free" novel was respectfully adapted by Patrick... read more

Even by the high standards of the Hallmark Hall of Fame, A Painted House is well above average. John Grisham's well-received "lawyer-free" novel was respectfully adapted by Patrick Sheane Duncan (Mr. Holland's Opus), and director Alfonso Arau (Like Water for Chocolate, A Walk in the Clouds) brings just the right touch of toughness and delicate nostalgia to Grisham's semi-autobiographical remembrance of boyhood in rural Arkansas, circa 1952. Grisham's alter ego is 10-year-old Luke Chandler (well played by Logan Lerman), and when tempers flare into violence between the Mexican migrant workers and itinerant "hill people" hired to harvest cotton on his grandfather's farm, Luke--who has witnessed a murder--must decide whether to expose the killer or keep the crime a secret. Filled with warm grace notes and a perfect cast including leather-faced Scott Glenn and Melinda Dillon (as Luke's grandparents), A Painted House juggles multiple crises (including devastating rainstorms) with strong family values, capturing the humor and hardship of farming life at a crossroads of fading tradition and inevitable change. Combining elements of To Kill a Mockingbird and Places in the Heart, this is a purebred Hallmark production in every respect, earning a badge of pride for everyone involved in its making. --Jeff Shannon (hide)

Troy Phelan hates his greedy, spoiled children. The aging multibillionaire knows that they're circling like vultures as he waits to die. Phelan's surprising last will and testament names... read more

Troy Phelan hates his greedy, spoiled children. The aging multibillionaire knows that they're circling like vultures as he waits to die. Phelan's surprising last will and testament names a heretofore unknown beneficiary--a missionary living deep in the wilds of Brazil. Nate O'Riley, a lawyer fresh from his fourth stay in rehab, is sent to find her. Along the way, he learns about God and himself, and he discovers that the dangers of alcohol pale in comparison with the perils of the jungle. This abridgment, though jumpy at times, flows smoothly thanks to actor Henry Leyva's polished performance. (Running time: 6 hours, 4 cassettes) --C.B. Delaney (hide)

In 1970, small town newspaper The Clanton Times went belly up. With financial assistance from a rich relative, it's purchased by 23-year-old Willie Traynor, formerly the paper's cub... read more

In 1970, small town newspaper The Clanton Times went belly up. With financial assistance from a rich relative, it's purchased by 23-year-old Willie Traynor, formerly the paper's cub reporter. Soon afterward, his new business receives the readership boost it needs thanks to his editorial efforts and coverage of a particularly brutal rape and murder committed by the scion of the town's reclusive bootlegger family. Rather than shy from reporting on the subsequent open-and-shut trial (those who oppose the Padgitt family tend to turn up dead in the area's swampland), Traynor launches a crusade to ensure the unrepentant murderer is brought to justice. When a guilty verdict is returned, the town is relieved to find the Padgitt family's grip on the town did not sway the jury, though Danny Padgitt is sentenced to life in prison rather than death. But, when Padgitt is released after serving less than a decade in jail and members of the jury are murdered, Clanton once again finds itself at the mercy of its renegade family.

When it comes, the dénouement is no surprise; The Last Juror is less a story of suspense than a study of the often idyllic southern town of Clanton, Mississippi (the setting for Grisham's first novel, A Time to Kill). Throughout the nine years between Padgitt's trial and release, Traynor finds acceptance in Clanton, where the people "don't really trust you unless they trusted your grandfather." He grows from a long-haired idealist into another of the town's colorful characters--renovating an old house, sporting a bowtie, beloved on both sides of the color line, and the only person to have attended each of the town's 88 churches at least once. The Last Juror returns Grisham to the courtroom where he made his name, but those who enjoyed the warm sentiment of his recent novels (Bleachers, A Painted House) will still find much to love here. --Benjamin Reese (hide)