Few have failed to be charmed by the witty and independent spirit of Elizabeth Bennet. Her early determination to dislike Mr. Darcy is a prejudice only matched by... read more

Few have failed to be charmed by the witty and independent spirit of Elizabeth Bennet. Her early determination to dislike Mr. Darcy is a prejudice only matched by the folly of his arrogant pride. Their first impressions give way to true feelings in a comedy profoundly concerned with happiness and how it might be achieved.

Edited with an Introduction by Vivien Jones (hide)

"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back... read more

"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."

Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.

Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. --Alix Wilber (hide)

“There remains the greatest of all novelists—for what else can we call the author of War and Peace?” —Virginia Woolf

“There remains the greatest of all novelists—for what else can we call the author of War and Peace?” —Virginia Woolf (hide)

Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days... read more

Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins,

"If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them."

His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation. (hide)

"Outside, even through the shut window pane, the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into spirals, and... read more

"Outside, even through the shut window pane, the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into spirals, and though the sun was shining and the sky a harsh blue, there seemed to be no color in anything except the posters that were plastered everywhere."

The year is 1984; the scene is London, largest population center of Airstrip One.

Airstrip One is part of the vast political entity Oceania, which is eternally at war with one of two other vast entities, Eurasia and Eastasia. At any moment, depending upon current alignments, all existing records show either that Oceania has always been at war with Eurasia and allied with Eastasia, or that it has always been at war with Eastasia and allied with Eurasia. Winston Smith knows this, because his work at the Ministry of Truth involves the constant "correction" of such records. "'Who controls the past,' ran the Party slogan, 'controls the future: who controls the present controls the past.'"

In a grim city and a terrifying country, where Big Brother is always Watching You and the Thought Police can practically read your mind, Winston is a man in grave danger for the simple reason that his memory still functions. He knows the Party's official image of the world is a fluid fiction. He knows the Party controls the people by feeding them lies and narrowing their imaginations through a process of bewilderment and brutalization that alienates each individual from his fellows and deprives him of every liberating human pursuit from reasoned inquiry to sexual passion. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.

Newspeak, doublethink, thoughtcrime--in 1984, George Orwell created a whole vocabulary of words concerning totalitarian control that have since passed into our common vocabulary. More importantly, he has portrayed a chillingly credible dystopia. In our deeply anxious world, the seeds of unthinking conformity are everywhere in evidence; and Big Brother is always looking for his chance. --Daniel Hintzsche (hide)

YA A quietly humorous story set in a small town in North Carolina. Seventy-eight year old Mattie Riggsbee, spunky and determined, has one regret: she has no grandchildren,... read more

YA A quietly humorous story set in a small town in North Carolina. Seventy-eight year old Mattie Riggsbee, spunky and determined, has one regret: she has no grandchildren, as her son and daughter inconveniently remain unmarried. The story gathers momentum after a slightly sluggish start, when Wesley Benfield, wayward teenager and orphan, comes into Mattie's life. Their need for each other is apparent, and their attempts to get together, despite the disapproval of Mattie's family and neighbors, are the focus of the story. Wesley is captivated by Mattie's good cooking and grandmotherly attention, and when he escapes from a house of detention, he heads straight to Mattie. There is a hilarious scene in church, where the fleeing Wesley and the pursuing deputy sheriff, both disguised as choir members, sit beside each other in full view of the congregation. Edgerton infuses all of his characters with reality, and provides a balanced perspective on age and youth. His understanding of teenagers is nowhere more evident than in the contrast between the reality of Wesley's situation and the humor of his exaggerated fantasies. Rita G. Keeler, St. John's School, Houston
Copyright 1987 Reed Business Information, Inc. (hide)

Gr 8 Up-Actress Elizabeth McGovern reads this acceptable abridgement with precise, clear diction. Her expressive voice is pleasant, effectively using breath sounds and pauses to recreate dramatic moods.... read more

Gr 8 Up-Actress Elizabeth McGovern reads this acceptable abridgement with precise, clear diction. Her expressive voice is pleasant, effectively using breath sounds and pauses to recreate dramatic moods. Her usually quick tempo keeps the text from being ponderous, but it can be slower when necessary. Given the time period of the original work, her formal tone is appropriate. Her speech changes slightly for the different characters, but there is not much dialogue. The abridgement retains the continuity of the story. Consider purchasing this version for special education students who can't handle the longer, original text.-Claudia Moore, W.T. Woodson High School, Fairfax, VA

Copyright 2001 Cahners Business Information, Inc.

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Margaret Mitchell's epic novel of love and war won the Pulitzer Prize and went on to give rise to two authorized sequels and one of the most popular... read more

Margaret Mitchell's epic novel of love and war won the Pulitzer Prize and

went on to give rise to two authorized sequels and one of the most popular

and celebrated movies of all time.

Many novels have been written about the Civil War and its aftermath. None

take us into the burning fields and cities of the American South as Gone

With the Wind does, creating haunting scenes and thrilling portraits of

characters so vivid that we remember their words and feel their fear and

hunger for the rest of our lives.

In the two main characters, the white-shouldered, irresistible Scarlett and

the flashy, contemptuous Rhett, Margaret Mitchell not only conveyed a

timeless story of survival under the harshest of circumstances, she also

created two of the most famous lovers in the English-speaking world since

Romeo and Juliet.

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A seminal work of American Literature that still commands deep praise and still elicits controversy, Adventures of Huckleberry Finn is essential to the understanding of the American soul.... read more

A seminal work of American Literature that still commands deep praise and still elicits controversy, Adventures of Huckleberry Finn is essential to the understanding of the American soul. The recent discovery of the first half of Twain's manuscript, long thought lost, made front-page news. And this unprecedented edition, which contains for the first time omitted episodes and other variations present in the first half of the handwritten manuscript, as well as facsimile reproductions of thirty manuscript pages, is indispensable to a full understanding of the novel. The changes, deletions, and additions made in the first half of the manuscript indicate that Mark Twain frequently checked his impulse to write an even darker, more confrontational book than the one he finally published. (hide)