The Nation : "A work of immense narrative power that can sweep the reader up and hold him enthralled for days and weeks."Kansas City Star : "J.R.R. Tolkien's... read more

The Nation : "A work of immense narrative power that can sweep the reader up and hold him enthralled for days and weeks."

Kansas City Star : "J.R.R. Tolkien's epic trilogy remains the ultimate quest, the ultimate battle between good and evil, the ultimate chronicle of stewardship of the earth. Endlessly imitated, it has never been surpassed."

Newsweek : "A remarkable book"

Time Magazine : "One of the great fairy-tale quests in modern literature"

The Chicago Tribune : "A sustained feat of imagination that has entranced millions"

The Washington Post : "Tolkien's stories take place against a background of measureless depth…That background is ever-present in the creator's mind and it gives Frodo and company a three-dimensional reality that is seldom found in this kind of writing." (hide)

"In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet... read more

"In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort."

The hobbit-hole in question belongs to one Bilbo Baggins, an upstanding member of a "little people, about half our height, and smaller than the bearded dwarves." He is, like most of his kind, well off, well fed, and best pleased when sitting by his own fire with a pipe, a glass of good beer, and a meal to look forward to. Certainly this particular hobbit is the last person one would expect to see set off on a hazardous journey; indeed, when Gandalf the Grey stops by one morning, "looking for someone to share in an adventure," Baggins fervently wishes the wizard elsewhere. No such luck, however; soon 13 fortune-seeking dwarves have arrived on the hobbit's doorstep in search of a burglar, and before he can even grab his hat or an umbrella, Bilbo Baggins is swept out his door and into a dangerous adventure.

The dwarves' goal is to return to their ancestral home in the Lonely Mountains and reclaim a stolen fortune from the dragon Smaug. Along the way, they and their reluctant companion meet giant spiders, hostile elves, ravening wolves--and, most perilous of all, a subterranean creature named Gollum from whom Bilbo wins a magical ring in a riddling contest. It is from this life-or-death game in the dark that J.R.R. Tolkien's masterwork, The Lord of the Rings, would eventually spring. Though The Hobbit is lighter in tone than the trilogy that follows, it has, like Bilbo Baggins himself, unexpected iron at its core. Don't be fooled by its fairy-tale demeanor; this is very much a story for adults, though older children will enjoy it, too. By the time Bilbo returns to his comfortable hobbit-hole, he is a different person altogether, well primed for the bigger adventures to come--and so is the reader. --Alix Wilber (hide)

Grade 3-6-This classic tale celebrates its 50th anniversary with a delightful audio rendition. Actor Michael York's reading is a perfect match for this story. The narration is clear... read more

Grade 3-6-This classic tale celebrates its 50th anniversary with a delightful audio rendition. Actor Michael York's reading is a perfect match for this story. The narration is clear and distinct, and York's soft and soothing British accent adds the right touch. Listeners will fall under the spell of this master storyteller as they join Peter, Edmund, Lucy and Susan on their travels. Beginning with Chapter One when Lucy looks into the wardrobe and discovers Narnia and the faun, readers will find that this timeless story can still work the magic that C.S. Lewis intended. In this action packed tale, the four children take part in several adventures as they travel through Narnia on their quest to rid the country of the Witch and her followers. Narnia fans will want to listen to this story over and over again, and new fans will be created as they listen for the first time.
Ginny Harrell, William McGarrah Elementary School, Morrow, GA
Copyright 2001 Reed Business Information, Inc. (hide)

New Line Cinema will be releasing "The Lord of the Rings" trilogy in three separate installments, and Houghton Mifflin Tolkien's U.S. publisher since the release of The Hobbit... read more

New Line Cinema will be releasing "The Lord of the Rings" trilogy in three separate installments, and Houghton Mifflin Tolkien's U.S. publisher since the release of The Hobbit in 1938 will be re-releasing each volume of the trilogy separately and in a boxed set (ISBN 0-618-15397-7. $22; pap. ISBN 0-618-15396-9. $12).
Copyright 2001 Reed Business Information, Inc. (hide)

The adult trade paperback editions of THE CHRONICLES OF NARNIA are now available in two new box sets. This box will feature Cliff Nielsen’s illustrations picked up from... read more

The adult trade paperback editions of THE CHRONICLES OF NARNIA are now available in two new box sets. This box will feature Cliff Nielsen’s illustrations picked up from the cover art on the books inside. (hide)

Hobbits and wizards and Sauron--oh, my! Mild-mannered Oxford scholar John Ronald Reuel Tolkien had little inkling when he published The Hobbit; Or, There and Back Again in 1937... read more

Hobbits and wizards and Sauron--oh, my! Mild-mannered Oxford scholar John Ronald Reuel Tolkien had little inkling when he published The Hobbit; Or, There and Back Again in 1937 that, once hobbits were unleashed upon the world, there would be no turning back. Hobbits are, of course, small, furry creatures who love nothing better than a leisurely life quite free from adventure. But in that first novel and the Lord of the Rings trilogy, the hobbits Bilbo and Frodo and their elfish friends get swept up into a mighty conflict with the dragon Smaug, the dark lord Sauron (who owes much to proud Satan in Paradise Lost), the monstrous Gollum, the Cracks of Doom, and the awful power of the magical Ring. The four books' characters--good and evil--are recognizably human, and the realism is deepened by the magnificent detail of the vast parallel world Tolkien devised, inspired partly by his influential Anglo-Saxon scholarship and his Christian beliefs. (He disapproved of the relative sparseness of detail in the comparable allegorical fantasy his friend C.S. Lewis dreamed up in The Chronicles of Narnia, though he knew Lewis had spun a page-turning yarn.) It has been estimated that one-tenth of all paperbacks sold can trace their ancestry to J.R.R. Tolkien. But even if we had never gotten Robert Jordan's The Path of Daggers and the whole fantasy genre Tolkien inadvertently created by bringing the hobbits so richly to life, Tolkien's epic about the Ring would have left our world enhanced by enchantment. --Tim Appelo (hide)

This Hugo and Nebula Award winner tells the sweeping tale of a desert planet called Arrakis, the focus of an intricate power struggle in a byzantine interstellar empire.... read more

This Hugo and Nebula Award winner tells the sweeping tale of a desert planet called Arrakis, the focus of an intricate power struggle in a byzantine interstellar empire. Arrakis is the sole source of Melange, the "spice of spices." Melange is necessary for interstellar travel and grants psychic powers and longevity, so whoever controls it wields great influence.

The troubles begin when stewardship of Arrakis is transferred by the Emperor from the Harkonnen Noble House to House Atreides. The Harkonnens don't want to give up their privilege, though, and through sabotage and treachery they cast young Duke Paul Atreides out into the planet's harsh environment to die. There he falls in with the Fremen, a tribe of desert dwellers who become the basis of the army with which he will reclaim what's rightfully his. Paul Atreides, though, is far more than just a usurped duke. He might be the end product of a very long-term genetic experiment designed to breed a super human; he might be a messiah. His struggle is at the center of a nexus of powerful people and events, and the repercussions will be felt throughout the Imperium.

Dune is one of the most famous science fiction novels ever written, and deservedly so. The setting is elaborate and ornate, the plot labyrinthine, the adventures exciting. Five sequels follow. --Brooks Peck (hide)

Mervyn Peake's gothic masterpiece, the Gormenghast trilogy, begins with the superlative Titus Groan, a darkly humorous, stunningly complex tale of the first two years in the life of... read more

Mervyn Peake's gothic masterpiece, the Gormenghast trilogy, begins with the superlative Titus Groan, a darkly humorous, stunningly complex tale of the first two years in the life of the heir to an ancient, rambling castle. The Gormenghast royal family, the castle's decidedly eccentric staff, and the peasant artisans living around the dreary, crumbling structure make up the cast of characters in this engrossing story. Peake's command of language and unique style set the tone and shape of an intricate, slow-moving world of ritual and stasis:

The walls of the vast room which were streaming with calid moisture, were built with gray slabs of stone and were the personal concern of a company of eighteen men known as the 'Grey Scrubbers'.... On every day of the year from three hours before daybreak until about eleven o'clock, when the scaffolding and ladders became a hindrance to the cooks, the Grey Scrubbers fulfilled their hereditary calling.

Peake has been compared to Dickens, Tolkien, and Peacock, but Titus Groan is truly unique. Unforgettable characters with names like Steerpike and Prunesquallor make their way through an architecturally stifling world, with lots of dark corners around to dampen any whimsy that might arise. This true classic is a feast of words unlike anything else in the world of fantasy. Those who explore Gormenghast castle will be richly rewarded. --Therese Littleton (hide)

Join Douglas Adams's hapless hero Arthur Dent as he travels the galaxy with his intrepid pal Ford Prefect, getting into horrible messes and generally wreaking hilarious havoc. Dent... read more

Join Douglas Adams's hapless hero Arthur Dent as he travels the galaxy with his intrepid pal Ford Prefect, getting into horrible messes and generally wreaking hilarious havoc. Dent is grabbed from Earth moments before a cosmic construction team obliterates the planet to build a freeway. You'll never read funnier science fiction; Adams is a master of intelligent satire, barbed wit, and comedic dialogue. The Hitchhiker's Guide is rich in comedic detail and thought-provoking situations and stands up to multiple reads. Required reading for science fiction fans, this book (and its follow-ups) is also sure to please fans of Monty Python, Terry Pratchett's Discworld series, and British sitcoms. (hide)

New Line Cinema will be releasing "The Lord of the Rings" trilogy in three separate installments, and Houghton Mifflin Tolkien's U.S. publisher since the release of The Hobbit... read more

New Line Cinema will be releasing "The Lord of the Rings" trilogy in three separate installments, and Houghton Mifflin Tolkien's U.S. publisher since the release of The Hobbit in 1938 will be re-releasing each volume of the trilogy separately and in a boxed set (ISBN 0-618-15397-7. $22; pap. ISBN 0-618-15396-9. $12).
Copyright 2001 Reed Business Information, Inc. (hide)

Everyone in town thinks Meg Murry is volatile and dull-witted, and that her younger brother, Charles Wallace, is dumb. People are also saying that their physicist father has... read more

Everyone in town thinks Meg Murry is volatile and dull-witted, and that her younger brother, Charles Wallace, is dumb. People are also saying that their physicist father has run off and left their brilliant scientist mother. Spurred on by these rumors and an unearthly stranger, the tesseract-touting Mrs Whatsit, Meg and Charles Wallace and their new friend Calvin O'Keefe embark on a perilous quest through space to find their father. In doing so, they must travel behind the shadow of an evil power that is darkening the cosmos, one planet at a time. This is no superhero tale, nor is it science fiction, although it shares elements of both. The travelers must rely on their individual and collective strengths, delving deep within themselves to find answers.

A well-loved classic and 1963 Newbery Medal winner, Madeleine L'Engle's A Wrinkle in Time is sophisticated in concept yet warm in tone, with mystery and love coursing through its pages. Meg's shattering, yet ultimately freeing, discovery that her father is not omnipotent provides a satisfying coming-of-age element. Readers will feel a sense of power as they travel with these three children, challenging concepts of time, space, and the triumph of good over evil. The companion books in the Time quartet, continuing the adventures of the Murry family, are A Wind in the Door; A Swiftly Tilting Planet, which won the American Book Award; and Many Waters. Every young reader should experience L'Engle's captivating, occasionally life-changing contributions to children's literature. (Ages 9 and older) --Emilie Coulter (hide)

C.S. Lewis's classic novel The Lion, the Witch, and the Wardrobe makes an ambitious and long-awaited leap to the screen in this modern adaptation. It's a CGI-created world... read more

C.S. Lewis's classic novel The Lion, the Witch, and the Wardrobe makes an ambitious and long-awaited leap to the screen in this modern adaptation. It's a CGI-created world laden with all the special effects and visual wizardry modern filmmaking technology can conjure, which is fine so long as the film stays true to the story that Lewis wrote. And while this film is not a literal translation--it really wants to be so much more than just a kids' movie--for the most part it is faithful enough to the story, and whatever faults it has are happily faults of overreaching, and not of holding back. The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe tells the story of the four Pevensie children, Lucy, Peter, Edmund, and Susan, and their adventures in the mystical world of Narnia. Sent to the British countryside for their own safety during the blitz of World War II, they discover an entryway into a mystical world through an old wardrobe. Narnia is inhabited by mythical, anthropomorphic creatures suffering under the hundred-year rule of the cruel White Witch (Tilda Swinton, in a standout role). The arrival of the children gives the creatures of Narnia hope for liberation, and all are dragged into the inevitable conflict between evil (the Witch) and good (Aslan the Lion, the Messiah figure, regally voiced by Liam Neeson).

Director (and co-screenwriter) Andrew Adamson, a veteran of the Shrek franchise, knows his way around a fantasy-based adventure story, and he wisely keeps the story moving when it could easily become bogged down and tiresome. Narnia is, of course, a Christian allegory and the symbology is definitely there (as it should be, otherwise it wouldn't be the story Lewis wrote), but audiences aren't knocked over the head with it, and in the hands of another director it could easily have become pedantic. The focus is squarely on the children and their adventures. The four young actors are respectable in their roles, especially considering the size of the project put on their shoulders, but it's the young Georgie Henley as the curious Lucy who stands out. This isn't a film that wildly succeeds, and in the long run it won't have the same impact as the Harry Potter franchise, but it is well done, and kids will get swept up in the adventure. Note: Narnia does contain battle scenes that some parents may consider too violent for younger children. --Dan Vancini (hide)

The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of The Lord of... read more

The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King. Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes. The new scenes are welcome, and the bonus features maintain the high bar set by the first two films, The Fellowship of the Ring and The Two Towers.

What's New?

One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the ROTK extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut.

If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do.

And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do.

How Are the Bonus Features?

To complete the experience, The Return of the King provides the same sprawling set of features as the previous extended editions: four commentary tracks, sharp picture and thrilling sound, and two discs of excellent documentary material far superior to the recycled material in the theatrical edition. Those who have listened to the seven hours of commentary for the first two extended editions may wonder if they need to hear more, but there was no commentary for the earlier ROTK DVD, so it's still entertaining to hear Jackson break down the film (he says the beacon scene is one of his favorites), discuss differences from the book, point out cameos, and poke fun at himself and the extended-edition concept ("So this is the complete full strangulation, never seen before, here exclusively on DVD!"). The documentaries (some lasting 30 minutes or longer) are of their usual outstanding quality, and there's a riveting storyboard/animatic sequence of the climactic scene, which includes a one-on-one battle between Aragorn and Sauron.

One DVD Set to Rule Them All
Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi (hide)