From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is... read more

From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.

It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.

Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam Sutherland (hide)

Anyone who's watched just about any teenage film knows that the greatest evil in this world isn't chemical warfare, ethnic cleansing, or even the nuclear bomb. The worst... read more

Anyone who's watched just about any teenage film knows that the greatest evil in this world isn't chemical warfare, ethnic cleansing, or even the nuclear bomb. The worst crime known to man? Why, virginity, of course. As we've learned from countless films--from Summer of '42 to Risky Business--virginity is a criminal burden that one must shed oneself of as quickly as possible. And while many of these films have given the topic a bad name, American Pie quietly sweeps in and gives sex some of its dignity back. Dignity, you may say? How can a film that highlights intercourse with fruit pies, premature ejaculation broadcasted across the Internet, and the gratuitous "gross-out" shots restore the dignity of a genre that's been encumbered with such heavyweights as Porky's and Losin' It? The plot may be typical, with four high school friends swearing to "score" by prom, yet the film rises above the muck with its superior cast, successful and sweet humor, and some actually rather retro values about the meaning and importance of sex. Jason Biggs, Chris Klein, Thomas Ian Nicholas, and Eddie Kaye Thomas make up the odd quartet of pals determined to woo, lie, and beg their way to manhood. The young women they pursue are wary girlfriend Vicky (Tara Reid), choir girl Heather (Mena Suvari), band geek Michelle (Alyson Hannigan), and just about any other female who is willing and able. Natasha Lyonne as Jessica, playing a similar role as in Slums of Beverly Hills, is the general adviser to the crowd (when Vicky tells her "I want it to be the right time, the right place," Jessica responds, "It's not a space shuttle launch, it's sex"). The comedic timing hits the mark--especially in the deliberately awkward scenes between Jim (Biggs) and his father (Eugene Levy). And, of course, lessons are learned in this genuinely funny film, which will probably please the adult crowd even more than it will the teenage one. --Jenny Brown (hide)

Coming after The Silence of the Lambs and Seven, this thriller about a collaboration between two serial killers feels like a pale attempt to cash in on the... read more

Coming after The Silence of the Lambs and Seven, this thriller about a collaboration between two serial killers feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any dozen similar thrillers. --Jeff Shannon (hide)

Old pro Shirley MacLaine steals her every scene in Rumor Has It..., a very curiously conceived comedy directed by Rob Reiner (When Harry Met Sally..., The Princess Bride).... read more

Old pro Shirley MacLaine steals her every scene in Rumor Has It..., a very curiously conceived comedy directed by Rob Reiner (When Harry Met Sally..., The Princess Bride). Sarah (Jennifer Aniston, The Good Girl) arrives at her sister's wedding with her fiance Jeff (Mark Ruffalo, 13 Going on 30). She's already feeling anxiety-ridden about her impending marriage when she gleans from some odd hints from her grandmother Katherine (MacLaine, The Apartment, Terms of Endearment) that her family was the basis for the movie The Graduate. Quicker that you can say "Mrs. Robinson" she slips away from Jeff to investigate, suspecting that the guy Dustin Hoffman's character was based on--Beau Burroughs (Kevin Costner, Tin Cup)--might be her actual father...well, from there the plot takes a few twists, but this is not a movie that succeeds based on its story (which never really becomes persuasive). Instead, Rumor Has It... rests on the surprisingly complex and mature emotional interactions between the characters (particularly given that it's a movie about someone refusing to make choices in her life). Aniston won't win any awards for this, but she certainly gives her role more depth than a typical romantic comedy heroine; Costner and Ruffalo are both in fine form; and MacLaine appears just often enough to inject some delightfully prickly personality into a movie that often teeters on the edge of too much niceness. Also featuring Richard Jenkins (Six Feet Under) and Mena Suvari (American Beauty). --Bret Fetzer (hide)

With Queen Latifah holding court over a cast of sassy females, Beauty Shop continues the Barbershop franchise in entertaining style. Reprising her role from Barbershop 2: Back in... read more

With Queen Latifah holding court over a cast of sassy females, Beauty Shop continues the Barbershop franchise in entertaining style. Reprising her role from Barbershop 2: Back in Business, Latifah plays Gina the big-booty stylist, now on her own (she's a widow) and moving from Chicago to Atlanta, where she gets sick of her flamboyantly bitchy boss (played by... Kevin Bacon?), inherits her two best clients (Andie MacDowell and Mena Suvari) and her popular formula for "hair crack" conditioner, and opens her own styling shop with a $30,000 loan and a rainbow coalition of hairdressers played by Golden Brooks, Sherri Shepherd, Alfre Woodard and Alicia Silverstone. While it lacks the frank, sharply observant racial humor of Barbershop, this easygoing comedy moves along at an agreeable pace, with a supporting cast of beauty-shop customers (and a love interest, played by Djimon Hounsou) who play off Queen Latifah's effortless appeal with energy to spare. Sure it's conventional, and most of the characters are thinly developed, but Beauty Shop is a fun place to visit for 105 hassle-free minutes. --Jeff Shannon (hide)